Veronica Grant reflects on her Hatching Residency
During my Nest residency, I found myself filled with a mixture of excitement and trepidation. I had eagerly applied and been accepted, but I also felt the weight of my own expectations and the pressure to create something great during my time there.
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As followers of this blog will know, the F13 network – a broad coalition of independent artists and arts organisations, freelance creative practitioners and other interested parties convened by Talking Birds – was commissioned (on the back of its ‘Creating the Conditions for Creation‘ draft action plan) to develop and produce an event (The Future Works) to bring the creative sector back together, to move forwards after the turbulence of the last few years. (This process has been pretty extensively blogged, so if you need a catch up, maybe best to start here.)
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A Cultural Strategy sounds boring. And sometimes it is boring. But a good Cultural Strategy can tell a compelling story of a place – of its values and ambitions. Of its hopes and dreams. Of its direction of travel.
Some people think that our city has stalled. But we don’t think that’s true – and so we’ve invited artists and decision-makers to gather and re-set: let’s collectively re-imagine our story and work out how we want to tell it.
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How a twitter thread from Amahra Spence and an interview with Joan Bakewell helped connect Janet’s thoughts about the collective work the F13 network of freelance and independent artists and small arts organisations is doing to devise and produce an event for Coventry’s wider cultural sector, commissioned by Culture Works:
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Po-Shin Chao reflects on her Hatching Residency
As an artist, for my residency my project focussed heavily on exploring and experimenting with ways I could reflect and display my own identity and internal struggles through the world of fish and marine life. An aspect I wanted to include was my cultural heritage; with the use of fish surrounding Taiwan included in my artwork, art styles and choosing fish that symbolized particular meanings. Many of the fish I wanted to paint were heavily inspired by hierarchies and societal roles in everyday life. I worked primarily in paints and inks related to traditional artworks such as gouache and calligraphy ink and spent the full ten days at the nest, popping in and out over the course of two months.
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Craig Clarke reflects on his Hatching Residency
I had known about the Nest Residency for a while after attending creative co-working several times. It had been on my to-do list for a while however an email stating that they were about to close applications promoted me to stop procrastinating and finally sort out my application. A few weeks later I got the good news of being accepted and an exchange of messages found some suitable dates.
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Communities would be engaged and empowered and arts policies would be invigorated, says Janet Vaughan, co-artistic director of Coventry-based artists company Talking Birds, whose work focuses on the relationship between people and place.
Attempting to banish the consultation fatigue of four years’ involvement in the preparation for Coventry’s time as UK City of Culture in 2021, and desperate to understand what value ‘ordinary people’ placed on arts and culture, Talking Birds called a Citizens’ Assembly in the city on arts, culture and creativity.
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Guest post by Stella Backhouse, a writer based in Coventry. This post was originally published in issue #6 of Action Rayz zine, curated by Jazz Moreton & Alan Van Wijgerden. Details of Action Rayz’ regular film club screenings can be found here.
After the very public collapse of City of Culture Trust and the promised ‘legacy’ of Coventry’s year as UK City of Culture well and truly on the scrapheap, where does the city’s arts scene go from here?
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Kemi Awoyemi reflects on her Talking Birds Residency
I had just arrived in the country and was in search of a job. Back in Lagos, Nigeria, I promised myself that moving to the UK meant I would fully explore my art any possible way I could. In a bid to escape idleness and overthinking I felt the need to create, the only question was how? I had no resources or contacts, let alone a suitable space to create. Google comforted me by leading me to the Nest residency. I discovered Talking Birds at the best time; actively chasing healing, seeking an outlet to express my fears and concerns creatively and most importantly a safe space. I did my research on them, sent in my application and within a period of time I got selected to be a part of the Nest residency.
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Sam HH reflects on her Nest Residency
The Nest Residency gave me so much more than I had ever imagined it could. So this is not just about what I did but what I gained. Not just creatively but personally. I had never been given space like this before. It felt greedy. Privileged. It felt overwhelmingly scary. I felt guilt – taking up space when it could have been used for someone else. Especially as I felt like I was maybe tricky.
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Luisa Freitas reflects on her Talking Birds Hatching Residency
For my Hatching residency with Talking Birds I wanted to explore the best methods to approach and talk about the topic of Trichotillomania and the overall Body Focused Repetitive Behaviour Disorders. As someone who struggles with the Trichotillomania condition (hair pulling disorder) and only recently learned about it due to my own research, I wanted to educate the audience on it so that people are better informed and equipped to deal with it. With special focus in reaching out to those who have the same issue but feel lost and don’t know what is happening to them, or who to go to to learn about it.
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This post details a draft action plan entitled ‘Creating the Conditions for Creation’ which has its genesis in a F13 (network of independent and small scale arts organisations, freelance artists and creative practitioners) workshop. This workshop asked the question: “Where do we want to be in five years time?” – as a way of talking about, and moving collectively forwards from, the collapse of Coventry City of Culture Trust.
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Words from the Birds 