Leaving the Poet at the Door

Shaniece Martin reflects on her recent Hatching Residency at The Nest

When I arrived at The Nest, I think I left ‘poet’ outside the studio door. Not intentionally at first. More as a quiet instinct, a need to enter the space without already knowing what I was supposed to create, or who I was supposed to be within it.

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Space and percolation

Joanna Litten reflects on her recent Hatching Residency at The Nest.

‘Get that application in!’ My friend Natalie told me. I told her I didn’t have time, discounting myself.


I’m not scared of rejection. I am afraid to fail.


But she was right. What’s the harm in putting myself out there?

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10 days with pen, paper and photographs…

Olivia James reflects on her recent Hatching residency at The Nest.

In recent times I have been drawn back to analogue ways of working and life, without pressure or restricting myself (I still love the convenience, immediacy and fun technology brings and the worlds and connections that are discovered, I won’t be throwing away my mobile phone or pausing my social media any time soon!). I knew that in my first week at The Nest I wanted to not use my laptop – be without the distraction and temptation of doing or looking at other things. I arrived with pen and paper and an open mind to approach the 10 days ahead flexing my writing muscles; quite literally using hand and finger muscles.

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Six Days at The Nest: Resilient Stitch, Rest, and Reconnection

Julie Joannides reflects on her recent Hatching Residency at The Nest

At the end of February 2026 I was about to start my Nest residency I had such mixed feelings of excitement and nervousness with the dreaded imposter creeping in. I submitted an application in the Autumn supported by Charlie in one of her surgeries where I offloaded my head full of a myriad of ideas that I wanted to explore. I was excited and nervous and wanted to make the most of the experience ahead. 

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Finding Wilderness and Kin

My first garden in Amsterdam is the one outside my hotel window.

I’m on the third floor and there is the crown of a mature birch tree at the centre of my view: dark, delicate arches of witches-broom twigs with small golden yellow leaves back-lit by pinky morning sun. There’s a wren – that I can’t see – singing its heart out and, every so often, a trio of squawking green necked parakeets sail over.

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