Anastasjia Pudane reflects on her recent Hatching Residency at The Nest
So many creative projects are quietly sacrificed because our primary role becomes mother, not creator. Being an artist, illustrator, or maker — especially when it comes to self-initiated work — often slips into second place.
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Olivia James reflects on her recent Hatching residency at The Nest.
In recent times I have been drawn back to analogue ways of working and life, without pressure or restricting myself (I still love the convenience, immediacy and fun technology brings and the worlds and connections that are discovered, I won’t be throwing away my mobile phone or pausing my social media any time soon!). I knew that in my first week at The Nest I wanted to not use my laptop – be without the distraction and temptation of doing or looking at other things. I arrived with pen and paper and an open mind to approach the 10 days ahead flexing my writing muscles; quite literally using hand and finger muscles.
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Rachel Doughty reflects on her recent Hatching residency at The Nest.
You cannot imagine my excitement when someone approached me about making a dress that could have a theatre in the skirt to enable mobile performances; I may have even squealed just a little.
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[Long Read] Co-AD Janet reflects on her participation in DutchCulture’s International Visitor’s Programme exploring Regeneration in Arts and Culture.
My first garden in Amsterdam is the one outside my hotel window.
I’m on the third floor and there is the crown of a mature birch tree at the centre of my view: dark, delicate arches of witches-broom twigs with small golden yellow leaves back-lit by pinky morning sun. There’s a wren – that I can’t see – singing its heart out and, every so often, a trio of squawking green necked parakeets sail over.
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Kate Taylor reflects on her recent Hatching Residency at The Nest
Pre week 1, the offer of a familiarisation was presented by Talking Birds. I felt heard, and knew it would support certain traits linked to my ADHD; anxiety around new territory, expectation. Basically any over thinking put at ease. So a couple of weeks before my residency began, I met the core team at TB, saw the space, and felt super at home. Note to self… should I feel I need this in the future, just ask!
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Kritika Agarwal reflects on their recent Hatching Residency at The Nest
At the start of my residency, I aimed to explore South Asian queer themes through bold textiles and installation. Growing up under Section 377, with no queer representation and little dialogue around queerness, I wanted to create something that would fill the silence of my childhood.
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It Takes a City has had a long fuse. It was first sparked over 15 years ago by a story I was told by Paul Duncombe, who was looking after the Belgrade Theatre on the night of the 12th of March 2008, when much of Coventry City Centre was evacuated, due to an unexploded 50kg WW2 German bomb, discovered by workers excavating the site behind the theatre that was to become Belgrade Plaza.
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Lucy Grubb reflects on her recent Hatching Residency at The Nest.
The Moon is a Satellite,
and this city itself feels like my own private constellation.
Adele Mary Reed reflects on her recent Hatching residency at The Nest.
There is nowhere like a nest to knuckle down and nourish yourself. Contained, safe, with wise guardians popping in and out. A trail of breadcrumbs lead me there, meandering path through years, motherhood, lockdowns, urban redevelopment, relationships, travel, wildflowers.
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Ayesha Jones reflects on her Hatching residency with Talking Birds
As a photographic artist and documentary photographer, I use photography to communicate and process thoughts and experiences. Having inattentive ADHD, I often float off into my own little world. But capturing images allows me to hit the pause button on life, letting me revisit moments and understand my thoughts, feelings and other people better. Photography also provides a voice when words often fall short. A flowery way of saying, I am a massive visual learner and communicator. When emotions run deep, photography becomes my lifeline for expression.
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Prashant Kansara reflects on a Talking Birds Hatching residency…
My residency at Talking Birds took place earlier this year over five super sunny summer days in July. Three months have passed since that time and I’m surprised at how much the experience impacted the way I work now.
I’d learned of this residency programme the previous summer during one of the Nestival of Ideas talks and was keen to apply when the chance came around. When I heard that my proposal was accepted I was delighted yet still a bit apprehensive since I’d never done a residency before. However, soon after starting I realised that it was pretty much what it said on the tin: time and space to develop my creative idea in a supportive and stress-free environment.
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Lily Smith reflects on her Hatching Residency at Talking Birds
Being provided with time, space, and money to do something you love has the ability to change your life. As a freelancer, finding even one of these can prove a mission, and we rarely get the freedom to indulge in our creation without a healthy balance between the three.
I have played guitar for 8 years, but I’ve never made a song. I began performing with different singers around Coventry, working on their songs, composing for talented artists, yet I struggled whenever I sat down with myself.
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Words from the Birds 