Holly Clark reflects on a Nest Residency exploring our relationship with reality TV.
During lockdown, some learnt to play an instrument, others started a new craft, I binged watched reality TV. The more I watched the more I discovered, each coming with new appeals and new ethical issues. I knew the ethics and practices on these shows were dubious, there’s been deaths connected to them, yet I and many, many others still watched.
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Ania Bas reflects on her Talking Birds residency
I arrived at The Nest with the beginnings of an idea that I wanted to explore in a new and slower way. Parenthood and precarious living gives me less time to meander and not-know when it comes to art and writing. These days in precious minutes that I can dedicate to my practice I launch myself into working on half-formed material with its final look somewhat predetermined. That way of working definitely brings results but it also makes me less adventurous as I tend to opt for safe options and stick to a way of working that I’m already familiar with.
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Hannah Adereti reflects on their Talking Birds Residency, organised in partnership with MAIA
Do I know how to be with myself?
Honour all forms of creativity that emerge?
Should I always hone in or should I see what plains of the wild west of my imagination has to offer?
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It takes courage to step up and organise something to make life in your neighbourhood or city better. Even when it’s part of your job it takes courage: What if no-one turns up? What if it rains? What if people don’t like what we’re doing? What if doing this makes us look stupid? What if we fail? These (and many other) questions plague us (and every artist) every time we/they do something. When you have raised funding to make your event happen, the pressure is even more intense – this is public money and there’s a big responsibility to make sure it is spent well.
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This spring Talking Birds has been working with colleagues at the University of Warwick on the ‘AI in the Street‘ project, which is researching communities’ perspectives on, and feelings about, the AI-enabling infrastructure that lines our streets. The project aims to add citizen-voices into discussions about future infrastructure installation and invisible data gathering projects, whilst questioning how open and responsible the current processes are. The project has collaborative teams working in London, Cambridge, Edinburgh and Coventry, with the site of the Coventry Observatory being the Holyhead Road – which marks the border between Lower Coundon and Spon End.
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Veronica Grant reflects on her Hatching Residency
During my Nest residency, I found myself filled with a mixture of excitement and trepidation. I had eagerly applied and been accepted, but I also felt the weight of my own expectations and the pressure to create something great during my time there.
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As followers of this blog will know, the F13 network – a broad coalition of independent artists and arts organisations, freelance creative practitioners and other interested parties convened by Talking Birds – was commissioned (on the back of its ‘Creating the Conditions for Creation‘ draft action plan) to develop and produce an event (The Future Works) to bring the creative sector back together, to move forwards after the turbulence of the last few years. (This process has been pretty extensively blogged, so if you need a catch up, maybe best to start here.)
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A Cultural Strategy sounds boring. And sometimes it is boring. But a good Cultural Strategy can tell a compelling story of a place – of its values and ambitions. Of its hopes and dreams. Of its direction of travel.
Some people think that our city has stalled. But we don’t think that’s true – and so we’ve invited artists and decision-makers to gather and re-set: let’s collectively re-imagine our story and work out how we want to tell it.
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How a twitter thread from Amahra Spence and an interview with Joan Bakewell helped connect Janet’s thoughts about the collective work the F13 network of freelance and independent artists and small arts organisations is doing to devise and produce an event for Coventry’s wider cultural sector, commissioned by Culture Works:
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Po-Shin Chao reflects on her Hatching Residency
As an artist, for my residency my project focussed heavily on exploring and experimenting with ways I could reflect and display my own identity and internal struggles through the world of fish and marine life. An aspect I wanted to include was my cultural heritage; with the use of fish surrounding Taiwan included in my artwork, art styles and choosing fish that symbolized particular meanings. Many of the fish I wanted to paint were heavily inspired by hierarchies and societal roles in everyday life. I worked primarily in paints and inks related to traditional artworks such as gouache and calligraphy ink and spent the full ten days at the nest, popping in and out over the course of two months.
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Craig Clarke reflects on his Hatching Residency
I had known about the Nest Residency for a while after attending creative co-working several times. It had been on my to-do list for a while however an email stating that they were about to close applications promoted me to stop procrastinating and finally sort out my application. A few weeks later I got the good news of being accepted and an exchange of messages found some suitable dates.
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Communities would be engaged and empowered and arts policies would be invigorated, says Janet Vaughan, co-artistic director of Coventry-based artists company Talking Birds, whose work focuses on the relationship between people and place.
Attempting to banish the consultation fatigue of four years’ involvement in the preparation for Coventry’s time as UK City of Culture in 2021, and desperate to understand what value ‘ordinary people’ placed on arts and culture, Talking Birds called a Citizens’ Assembly in the city on arts, culture and creativity.
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Words from the Birds 