A Malady of Migration

migration

In an era when the issues of migration and mental health are seldom out of the news, our new show – A Malady of Migration – explores why the mid 19th century saw a prevalence of mental disorders amongst Irish migrants, in the second part of our Asylum Trilogy.  As with the first part in the trilogy – last year’s Trade in Lunacy – the production combines original music, song and sharp characterisation, vividly bringing to life a series of intertwining stories with humour, insight and compassion.

Characters and events in the show are based on case notes, historical evidence and academic research by our fantastic collaborators from the Centres for the History of Medicine in Warwick and Dublin (UCD). The piece aims to open up conversations about mental illness and its history – so do please pass on the word to anyone you think might be interested in these topics.

We’re performing in intimate venues again, so it might be wise to book tickets sooner rather than later – especially for Thursday evenings, when we will again have an expert panel exploring the issues, after the performances in both locations: this was packed out for Trade in Lunacy, and we had great feedback from those who came to it. We are also running a more informal post show discussion after the Saturday lunchtime performances, when you can chat to the creative team and the researchers over a cuppa.

ShopFront Theatre, City Arcade, Coventry: Thurs 26th – Sat 28th June 2014, 1pm & 7pm  Tickets 0845 680 1926 or online at http://www.oxboffice.com/Search.aspx?pid=1171

The New Theatre, Temple Bar, Dublin: Thurs 3rd – Sat 5th July 2014, 1pm & 7.30pm Tickets from The New Theatre
Tel: +353 (0)1 670 3361 or online at http://entertainment.ie/show-/The-New-Theatre/A-Malady-Of-Migration/event-2719658.htm

Twin Song Premiere

Last Friday 4th April 2014 Twin Song received its world premiere at Coventry Cathedral, performed by the Volgograd Children’s Symphony Orchestra and members of the Coventry Youth Wind Orchestra, conducted by Yuri Ilynov. You can hear it in two versions here: the salon version with piano, and the performance at the Cathedral (singers: Louise Wayman and Sam Fox; narrator (voicing Mother Russia) Victoria Agache).

https://soundcloud.com/derek-3-1/sets/twin-song

Twin Song is a symphonic poem marking 70 years of friendship between Coventry and Volgograd (formerly Stalingrad) – a bond of friendship officially formed in 1944 made them the first twin cities in the world. It was a friendship instigated by ordinary people – a tablecloth stitched with names by women in Coventry in 1942 was sent to Stalingrad, and a book signed by 16,000 Russian women was sent to Coventry (these can be seen in the Panorama Museum in Volgograd and the Herbert Peace & Reconciliation gallery in Coventry resepectively). Hence the reference to “Unseen fingers trace the stitches, names of strangers” in the song. Motherland Calling – the name of the 2nd movement – is the nameof the great statue depicting Mother Russia that stands on Mamayev Hill in Volgograd.

You can find out more about the twinning here:

http://www.talkingbirds.co.uk/twin60/

Myself and Peter Cann worked with pupils from two Coventry primary schools in the creation of Twin Song – Southfields and Aldermoor Farm – and their ideas are reflected in the finished piece. Indeed the pupils of Southfields heard the unofficial premiere of parts 1 & 3 on Weds 2nd April, as the schools hosted a workshop/concert by the visiting Volgograd orchestra. The final lines of the piece –

Better to be twins
Than be cold
to each other.

– were the wonderfully apt idea of a pupil at Aldermoor Farm.

We’re grateful to Carol Brown who masterminded the orchestra’s visit and to Coventry City Council whose Small Arts Grant scheme helped fund the commission.

Lyrics by Peter Cann:
1st Movement – I am Coventry
I am the bicycle,
wheels are turning.
Turn
from Godiva riding naked down the street.
Turn
on the table, let them feel the two tone beat.
I am the bicycle,
wheels are turning.
Turn
to the three tall spires stretching for the sky
Sky Blues
where are you? Oh Ricoh, Ricoh why?
I am the bicycle,
wheels are turning
Turn
I am the bicycle
Wheels are turning
Jets are burning
Lathes are spinning
Casting
Forging
Clocks and watches
Engines
motors
Tractors
Turbines
Armour
Weapons.

Clocks and watches
Engines
motors
Tractors
Turbines
Armour
Weapons.

2nd Movement: Motherland calling.

Mother Russia-
Oh my children,
Through the smoke that burns my eyes
I watch you stumble,
Fingers clawing through the stone
of the wounded city
Oh my children.

Mother Russia Oh the mothers
Singers Oh the mothers
Mother Russia Oh the mothers
Singers From the smoke that burns their eyes
Mother Russia from the smoke that burns their eyes
Singers they turn their faces.
Mother Russia they turn their faces.
Singers Hands are reaching from the stone
Mother Russia Hands are reaching from the stone
Singers of the wounded city
Mother Russia of the wounded city
Mother Russia And the mothers
Singers And the mothers
Mother Russia And the mothers
Singers Turn their faces
Mother Russia Turn their faces
Singers Towards the ocean
Mother Russia Across the ocean
Singers 2000 miles
Mother Russia Their eyes are meeting
Singers 2000 miles
Mother Russia Their eyes are meeting
Singers 2000 miles
Singers Their eyes are meeting.

3rd movement: The Twin Cities
Coventry
Volgograd
Coventry
Volgograd
Coventry
Volgograd

1.
Unseen fingers trace the stitches,
names of strangers.
Unheard voices try the sound of
names of strangers.

2.
In ravaged cities
connected cities
across the distance
across the decades.

3.
Unseen fingers trace the stitches
names of strangers.
Unseen fingers trace the stitches, names of strangers.
Unheard voices try the sound of
names of strangers.

4.
In changing cities
connected cities
across the distance
across the decades.

5.
In spite of walls and politicians
a bond unbroken
In spite of difference and suspicion
a bond unbroken.

6.
In changing cities
connected cities
across the distance
across the decades.

7.
Now a chill wind is ruffling the borders.
Now a chill wind is ruffling the borders.

8.
Better to be twins
Than be cold
to each other

Better to be twins
Than be cold
to each other.

Better to be twins
Better to be twins
Than be cold
Than be cold
to each other
to each other

9.
Coventry
Coventry

Volgograd
Volgograd

Coventry
Coventry

Volgograd
Volgograd

Coventry
Volgograd

 

posted by Derek Nisbet 11.4.14

Twin Song World Premiere

Date: Fri 4th April
Venue: Coventry (New) Cathedral
Time: 7pm Tickets: free, no booking required, retiring collection.
Suitable for all ages.

What does it mean to be a twin?

Twin Song is a specially composed symphonic poem for the 70th birthday of the twinning between Coventry, UK & Volgograd (formerly Stalingrad), Russia.

Created by Talking Birds – composer Derek Nisbet and writer Peter Cann – working with pupils from Southfields and Aldermoor Farm Schools.

Performed by members of the Volgograd Children’s Symphony Orchestra and Coventry Youth Wind Orchestra. Funded by Coventry City Council’s Small Arts Grant scheme.

More about the Twin Cities here.
– See more at: http://www.talkingbirds.co.uk/pages/whatson.asp#sthash.gkA2x6J9.dpuf
More about the Twin Cities here.

– See more at: http://www.talkingbirds.co.uk/pages/whatson.asp#sthash.gkA2x6J9.dpuf

The Making of Ant & Cleo : Composer’s blog

IMG_5123Workshop 1, 28th Feb 2014

Today is the start of a journey that will culminate on the 7th & 8th of November at Stratford Civic Hall – show time for our new, musical take on the epic tale of Antony & Cleopatra (or Ant & Cleo as we prefer to call them). This episodic blog will keep you posted on our progress – because, as it was you that voted for Antony & Cleopatra – The Musical in The People’s Millions, we’d like you to come with us!

Peter Cann (Director), Nick Walker (writer/librettist) and me (Composer) are at Welcombe Hills School in Stratford, where we observe the school’s daily ritual – an energetic Shake Up ‘n’ Wake Up routine. This freeform bop to a funky soundtrack should surely be adopted around the globe as a caffeine substitute (or at least in lieu of that extra shot). It’s characteristic of this school – and many Special Educational Needs settings – that the approach to just about every aspect of school life is imaginative, playful and progressive.

The first 3 sessions are about getting to know our team – at Welcombe Hills, that’s about 30 pupils aged 9-11 with a variety of special needs – or rather, what’s more important to us, an astonishing amount of imaginative power and creative talent – and working out with them how we are going to tell the story. We have the bare bones of the narrative courtesy of Plutarch (source for Shakespeare’s version), but at this stage everything else is up for grabs.

Peter uses signing/actions to introduce the characters – what’s a good sign for Antony, the Roman Soldier? What’s a good sign for Egypt? Next: where might A & C arrange to meet? ‘Costa Coffee! A big music place ! A lighthouse!’ Then divide into Romans & Egyptians and find different ways of moving for each side. I provide some musical accompaniment – at this stage it’s all about improvising, unlocking and capturing ideas and me and Nick keep notes which will later be sifted and shaped into the script and score.

Every child will have their own way of contributing, some will readily be involved, for others it will be a more a gradual process – we rely on the close involvement of teachers and teaching assistants to help us overcome any communication barriers and start to find connections. One pupil really responds to what I’m playing on the piano and violin and together we come up with a little theme tune based on his name. I record this so I can use it next time.

In the afternoon we head to Bray’s School in Birmingham where we’re again given a warm welcome and see familiar faces of staff and students who were involved in our last opera epic Troy Story. [http://www.talkingbirds.co.uk/pages/troystory.asp]

We have a team of about 30 here too – again with a wide variety of special needs, but more importantly a full spectrum of wicked senses of humour. Here ‘Asda!’ is proposed as a good rendez-vous spot for the heroes. Everyone’s keen to do some singing – we unleash range of musical instruments and melodic and rhythmic ideas come from the floor for the words ‘Cle-o-pa-tra’ and ‘An-to-ny’. Composing can be exciting in solitude, but seldom as exciting as it is in a room of 40 people. Here it’s a team sport, and anyone can take the ball.

From the name-patterns emerge two longer musical phrases, to which Nick puts some words; then we string them together into an embryonic song. What we sing as the culmination of the session is work-in-progress and will evolve further, but the imprint of everyone in this room on the finished piece will be unmistakable. We’re off!

Derek Nisbet, Talking Birds

Be a friend of Ant & Cleo…

Keep updated on our progress by liking this blog. Follow us on Twitter @birdmail and @Orchestra_Swan

Support this project by buying a copy of the DVD Troy Story – An Interegalactic Opera here
http://www.orchestraoftheswan.org/shop/troy-story-dvd/

Or by making a donation here
http://www.orchestraoftheswan.org/support-2/giving-levels-and-benefits/

You can pre-order a CD of Troy Story via the Talking Birds website

To be listened to whilst walking the towpath

From the archive:

This short audio piece was made last year (working with Dr Hilary Marland from the the Centre for the History of Medicine) as something to be listened to whilst walking the towpath. Not the cheeriest subject matter, but interesting – and it features a nice little bit of singing from our friend Jake Oldershaw.

Pole Vault : an 11 minute downloadable audio walk, to listen to whilst walking along a canal towpath [click to download].

The roots of the Olympic sport of the Pole Vault reach back many centuries when obstacles, or more commonly canals or other stretches of water, were traversed using a pole.

Canals have a complex and sometimes dark history as places where desperate people attempted to take their own lives. One such case was that of Elizabeth Barnwell, who was suffering from ‘puerperal mania’, a severe form of postnatal mental illness. This audio walk tells her story.

With:
Professor Hilary Marland from the Centre for the History of Medicine, University of Warwick (interviewed by Nick Walker)
Roland Mackie – Canal Ranger for Coventry Council (interviewed by Anne Forgan)
Jake Oldershaw singing the Boatman
Derek Nisbet – Violin

Song lyrics: Nick Walker
Music, Sound Design and editing by Derek Nisbet

[Pole Vault was one of Talking Birds’ Decathlon artworks, marking the company’s 20th year.]

This thursday: Goose is served!

Nick (playing the Goose), Sam (playing the little match girl), Craig (playing Hans) and Derek (playing piano – bdumtish!) have been squirreled away this week in rehearsals for our hilarious-and-depressing-in-equal-measure festive extravaganza TREVOR GOOSE AND HIS DARK NIGHT OF LIGHTS! The rest of the band arrive soon, and then all we need (Thursday to Saturday) is you and your friends sat around the cabaret tables in EGO’s atmospheric New York garage style indie venue, supping cocktails and having snacks delivered to your table whilst enjoying a bit of “farcical yet strangely thought-provoking” (CET) festive entertainment – with a Danish-themed raffle thrown in for good measure. If you fancy going the whole hog, you’re welcome to come dressed to fit the monochrome Dr Caligari meets 60’s jazz club theme – click here for some inspiration

AND CLICK HERE TO BUY A TICKET!.

Goose rehearsals

Go Go Goose With All The Trimmings!

Now it’s *actually* December, it feels safe to start talking about Christmas – and so we’re pleased to confirm that yes, the rumours are true, THE GOOSE IS BACK!!

It’s been a while, but over at Talking Birds the time seemed right to celebrate Christmas with a bit of psuedo-nordic mayhem again. As you may remember, Trevor Goose & His Dark Night of Lights attempts to tell the bleak, yet moving, tale of The Little Match Girl. However, internal difficulties with the band – Hans Christian and the Andersons – as well as with a Danish tourism officer and a missing celebrity, mean the evening soon turns into the painfully amusing spectacle of a cabaret coming apart at the seams. Thankfully, and possibly consequently, the music is divine and boasts a line up of top-flight musicians – led by composer Derek Nisbet – who blast off a series of exhilarating numbers in a style which hovers between Kurt Weill and the Divine Comedy.

The Goose has become something of a cult classic and this time will be nestling in Coventry’s new EGO venue, with a cracking cabaret-style atmosphere, a well-stocked bar and musical entertainment around the main act. The cast includes Craig Stephens from Stans Cafe, Sam Fox from Kindle Theatre (who recently played Penelope in Talking Birds’ Troy Story) and sees Talking Birds’ Associate Nick Walker return in the title role.

We’ll also be providing captioning to mobile devices via the Difference Engine on Friday 20th: to use this service email de@talkingbirds.co.uk in advance for more information.

Dates & times : Thurs 19th-Sat 21st December 8pm (doors 7pm)

Tickets: £10 (£6 concs)

Bookings: 024 7622 6060 (£1 card transaction fee) or book BOOK TICKETS ONLINE.

Getting there: EGO, Silver Street, Coventry CV1 1JN – Situated behind Coventry Transport Museum, a short walk from Pool Meadow Bus Station/short taxi ride from Coventry Station. Parking in Bishop Street Car Park, take Inner Ring Road Junction 1, exit to Tower St.

If you’re up for a value-added alternative night out with your friends/colleagues, there are Goose with All The Trimmings party packages for tables of eight. From £15 per head, it includes a jug of The Blue Stuff cocktail, a range of snacks and a serenade at your table – call EGO on 024 7622 6060 for more details.

You did it!!

Amazing news!! We’ve just heard that ANT&CLEO won the People’s Millions – so we’d like to say massive, massive thanks to all of you for all your votes! The cheque was awarded to Orchestra of the Swan on ITV Central News earlier – seems legit, not quite sure how David will get it through the doors of the bank though…

photo

You can keep an eye on here, and our facebook, twitter etc for details of the project as it unfolds – and if you’d like to make sure you miss absolutely nothing, join our emailing list: you can do that here.

You are all brilliant!

Big, big thanks to everyone who got caught up in the mayhem and ratcheted up their telephone bills on our behalf yesterday voting ANT&CLEO.

Thank you to every single person who voted, shared, retweeted or harassed their friends and neighbours to vote for the project.

We find out the result later today, but whichever way it goes (good luck Northfield Bike Hub), remember, YOU ARE ALL BRILLIANT!

PLEASE VOTE FOR US TODAY!

Today’s the day! We’re up for TV/Telephone crowdfunding for our new project ANT&CLEO the musical with Orchestra of the Swan – and every vote counts!

Please call 0871 626 8831 now to cast your vote!

Calls cost 11p from a landline and you can vote up to 10 times. Please call 0871 626 8831 now to cast your vote!

Ant & Cleo is the successor to our intergalactic opera Troy Story made with almost 200 children and young people from six primary schools and two special schools – and will essentially be a year of workshops, rehearsals building towards a fantastic final performance – 60 minutes of spectacle and madcap humour helping  every child to reach their full potential. That number again… 0871 626 8831. THANKS!

antandcleo

What makes a good school?

We’ve embarked on what’s shaping up to be a really interesting project with Moseley Primary School (who we worked with on the 110m Hurdles project last year). The school is due an Ofsted inspection, and this got us wondering what – if you asked them – children themselves would set as the features of a good school? Would they tally with Ofsted’s criteria? And how might they decide to inspect or measure these?

So we thought we would ask them…

The Junior Leadership Team at Moseley has begun to explore what is good about their own school, and what they think could be improved upon. They’ve been grappling with what features or qualities make a school good – and one that you might want to get up and go to every morning – and with how their own school measures up to this.

The next step is for them to design a survey to enable them to find out what the rest of the pupils, the staff, the parents and the neighbours think. That’s next – after half term – watch this space…

When we were Data Miners [blogpost] #tbarchive

Ten years ago, we were Data Miners in Residence at Vivid. Ten years is undeniably a long time and things were different then: Vivid presided over a suite of film making spaces in the Big Peg in Birmingham’s Jewellery Quarter, the web was less crowded, less wordpress-y and peppered with primitive (and largely ridiculous) flash animations. At Vivid, Talking Birds embarked on a terrifyingly ambitious programme of data collection, working with professionals across some of the era’s most influential sectors. By email (which had only relatively recently lost its novelty value), our Data Miners rigorously questioned volunteers, collected data, clarified points, sifted findings and pruned data trees until we were confident our results were sufficiently robust – and what startling findings they were! The results enabled our Data Miners to formulate ten ground breaking theories about the world, which were then published online for peer scrutiny before being ratified. Although the statements may appear outlandish, you should bear in mind that they were hailed at the time as “strangely plausible”.

And now, ten years on, what do you think?

If you participated in the research, did the Web Demographic project change your life as much as you thought it did at the time? And, 10 years on, (whether you participated or not) are the theories still pertinent? We’d love to know your thoughts! We’ll publish the responses that make us laugh – and award a coveted Whale t-shirt to the one that pushes the Talking Birds giggle-o-meter to the highest level…

The 10 Web Demographic Theory Statements

1. All first memories feature singing or the number four.

2. A disproportionately large number of people found fame in 1976.

3. Most people believe that the place where they are is really somewhere else in disguise.

4. People in Scotland are most likely to be spurred on by strangers to make a reckless world record attempt.

5. Cameras lost in Birmingham are most likely to turn up in Bucharest.

6. Families are more authentic in old photographs.

7. The identity of people in the South East of England is defined by the colour of their door.

8. Colorado Springs, US is an exact replica of Worthing, England, revolved through ninety degrees to the west.

9. Demolition is most likely to be welcomed in the west of England.

10. Nothing is mundane.

Where to find Web Demographic:

Bits of Web Demographic still exist online but do remember that as it’s been there for an awfully long time, it is a little cranky and some of the embedded flash links have sadly expired. You can find the remaining bits and pieces here.

What people said about Web Demographic:

“Followers of Talking Birds’ growing reputation will not be disappointed by their skilful delivery of sharp, almost surreal, humour…The straight faced satirical delivery…is joyful. The project is mischievous and absorbing.” [a-n magazine]

“Outlandish and surreal, but at the same time, strangely plausible” [participant]

“This is silly but compelling…You can read some wonderful cod-scientific explanations for the theories then vote on whether you agree or disagree.” [Cobweb Express]

“Even the apparently silly things can be tricky to refute…” [Birmingham Post]

“Many thanks…for highlighting the ridiculousness of the internet. And art. And of Worthing.” [participant]

– See more at: http://www.talkingbirds.co.uk/pages/online.asp#sthash.TXnICq3U.dpuf