Gayatri Pasricha reflects on her Hatching Residency
The range of reactions to the messiness of a miscarriage and other fertility issues, especially from those around me, left me a little confused and a little scarred. I was asked not to discuss my pregnancy for the first three months and then the miscarriage, then not speak of the miscarriage later as why delve on the negative, my poor dog was blamed for pulling me during his walk, tennis, everything I ate.
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Prashant Kansara reflects on a Talking Birds Hatching residency…
My residency at Talking Birds took place earlier this year over five super sunny summer days in July. Three months have passed since that time and I’m surprised at how much the experience impacted the way I work now.
I’d learned of this residency programme the previous summer during one of the Nestival of Ideas talks and was keen to apply when the chance came around. When I heard that my proposal was accepted I was delighted yet still a bit apprehensive since I’d never done a residency before. However, soon after starting I realised that it was pretty much what it said on the tin: time and space to develop my creative idea in a supportive and stress-free environment.
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Lily Smith reflects on her Hatching Residency at Talking Birds
Being provided with time, space, and money to do something you love has the ability to change your life. As a freelancer, finding even one of these can prove a mission, and we rarely get the freedom to indulge in our creation without a healthy balance between the three.
I have played guitar for 8 years, but I’ve never made a song. I began performing with different singers around Coventry, working on their songs, composing for talented artists, yet I struggled whenever I sat down with myself.
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Holly Clark reflects on a Nest Residency exploring our relationship with reality TV.
During lockdown, some learnt to play an instrument, others started a new craft, I binged watched reality TV. The more I watched the more I discovered, each coming with new appeals and new ethical issues. I knew the ethics and practices on these shows were dubious, there’s been deaths connected to them, yet I and many, many others still watched.
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Ania Bas reflects on her Talking Birds residency
I arrived at The Nest with the beginnings of an idea that I wanted to explore in a new and slower way. Parenthood and precarious living gives me less time to meander and not-know when it comes to art and writing. These days in precious minutes that I can dedicate to my practice I launch myself into working on half-formed material with its final look somewhat predetermined. That way of working definitely brings results but it also makes me less adventurous as I tend to opt for safe options and stick to a way of working that I’m already familiar with.
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In London last week, Janet spent time finding green – exploring community gardens, parks, and places where people are reclaiming the city and making space for nature. Her photo essay begins on Monday with a cup of tea in the Onion Garden…
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Hannah Adereti reflects on their Talking Birds Residency, organised in partnership with MAIA
Do I know how to be with myself?
Honour all forms of creativity that emerge?
Should I always hone in or should I see what plains of the wild west of my imagination has to offer?
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Mandip Seehra reflects on his Talking Birds Nest Residency
When I heard that I was selected for a Nesting Residency by Talking Birds, it filled me with excitement and anticipation. The residency offer was given to me to help me focus and explore projects which I have been trying to find a route to creating. These projects are personal to me and are intertwined with each other.
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It takes courage to step up and organise something to make life in your neighbourhood or city better. Even when it’s part of your job it takes courage: What if no-one turns up? What if it rains? What if people don’t like what we’re doing? What if doing this makes us look stupid? What if we fail? These (and many other) questions plague us (and every artist) every time we/they do something. When you have raised funding to make your event happen, the pressure is even more intense – this is public money and there’s a big responsibility to make sure it is spent well.
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Jaz Morrison reflects on her Nest Residency in association with MAIA
I haven’t been on many residencies, so I wasn’t sure what to expect during my time at the Nest. I remember asking if Talking Birds had any expectations of me, despite reading that this was about using the time as I felt best. The commute was surprisingly long – around 90 minutes from door to door – but it allowed me time to read books I’d put off, and the walk from the station familiarised me with the city centre. I even ran into an old colleague in my final week.
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This spring Talking Birds has been working with colleagues at the University of Warwick on the ‘AI in the Street‘ project, which is researching communities’ perspectives on, and feelings about, the AI-enabling infrastructure that lines our streets. The project aims to add citizen-voices into discussions about future infrastructure installation and invisible data gathering projects, whilst questioning how open and responsible the current processes are. The project has collaborative teams working in London, Cambridge, Edinburgh and Coventry, with the site of the Coventry Observatory being the Holyhead Road – which marks the border between Lower Coundon and Spon End.
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Lisa Franklin reflects on her Nest Residency
Back in April 2023, I had the opportunity to undertake an artist residency with Talking Birds at the Nest in Coventry, delving into the world of fungi and flora as artistic collaborators. This experience was transformative and allowed me to explore the intricate relationship between humans and the wider natural world in ways that I hadn’t imagined.
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Words from the Birds 