10 days with pen, paper and photographs…

Olivia James reflects on her recent Hatching residency at The Nest.

In recent times I have been drawn back to analogue ways of working and life, without pressure or restricting myself (I still love the convenience, immediacy and fun technology brings and the worlds and connections that are discovered, I won’t be throwing away my mobile phone or pausing my social media any time soon!). I knew that in my first week at The Nest I wanted to not use my laptop – be without the distraction and temptation of doing or looking at other things. I arrived with pen and paper and an open mind to approach the 10 days ahead flexing my writing muscles; quite literally using hand and finger muscles.

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Six Days at The Nest: Resilient Stitch, Rest, and Reconnection

Julie Joannides reflects on her recent Hatching Residency at The Nest

At the end of February 2026 I was about to start my Nest residency I had such mixed feelings of excitement and nervousness with the dreaded imposter creeping in. I submitted an application in the Autumn supported by Charlie in one of her surgeries where I offloaded my head full of a myriad of ideas that I wanted to explore. I was excited and nervous and wanted to make the most of the experience ahead. 

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Insects, Motherhood, Art

Adele Mary Reed reflects on her recent Hatching residency at The Nest.

There is nowhere like a nest to knuckle down and nourish yourself. Contained, safe, with wise guardians popping in and out. A trail of breadcrumbs lead me there, meandering path through years, motherhood, lockdowns, urban redevelopment, relationships, travel, wildflowers.

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space to move

Rosa Francesca reflects on her recent Hatching Residency

Impetus and Intention

In early 2024 I suffered an illness that rapidly took over my life. I had been experiencing joint issues for a few years, and because of this illness I quickly deteriorated further to the point that I could barely walk or speak and became an ambulatory wheelchair user. I fully expected to be totally unable to walk by the end of the year, however after spending time in hospital I was able to massively improve my health and found myself gaining back my mobility.

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Confusion is where breakthroughs happen too

n:u reflects on their recent Nest Residency, which followed on from – and built on – their time as a MAIA fellow and residency at Yard.

During my residency with Talking Birds i reflected on my practice, and my sense of direction. 5 years ago my first contract in the UK was with Talking Birds for a residency. It was remote from home, due to COVID-19 lockdown. This time again, as an ode to that time i did the residency remote. i started walking a lot around Birmingham more than i had done across 4 years living here. Walking supports my digestive processes and i had a lot to digest.

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Treading Water

Reisz Amos reflects on his recent Hatching Residency, which followed on from – and built on – his time as a MAIA fellow and his residency at Yard.

“The freedom to discover without pressure of presentation
has allowed me to dream dreams I didn’t believe I was allowed to.
Talking Birds has cultivated the birth of a new creative version of myself!”

Reisz ‘Odd Priest’ Amos

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It’s easier to support others than express myself

Chloe Deakin reflects on her creative Residency with Talking Birds

I was very nervous as apart from being in drama A-level I have always been on the ‘other’ side of the arts, acting more as a facilitator/producer/filmmaker capturing/enabling others rather than expanding on my own practice.

My residency focused on exploring the themes of worldbuilding and capitalism through sculpture and writing—or so I thought! Quickly, the themes expanded to sculpture and theatre, as I needed to develop the presentation of the themes, and my processes more than the themes themselves.

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