Julia O’Connell reflects on her Hatching Residency
In early November I was fortunate to be a Nest resident. I submitted an application previously and had sprawled out a myriad of ideas for exploration given the chance to have two whole weeks of headspace. I was excited and nervous.
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A Cultural Strategy sounds boring. And sometimes it is boring. But a good Cultural Strategy can tell a compelling story of a place – of its values and ambitions. Of its hopes and dreams. Of its direction of travel.
Some people think that our city has stalled. But we don’t think that’s true – and so we’ve invited artists and decision-makers to gather and re-set: let’s collectively re-imagine our story and work out how we want to tell it.
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Marianne White reflects on her Talking Birds Residency
Scroll down for text only version of Marianne’s blog.
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How a twitter thread from Amahra Spence and an interview with Joan Bakewell helped connect Janet’s thoughts about the collective work the F13 network of freelance and independent artists and small arts organisations is doing to devise and produce an event for Coventry’s wider cultural sector, commissioned by Culture Works:
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Corinne and Daisy reflect on their Remote Nest Residency.
I’m Corinne a disabled artist. This year marks my sixth year of spending almost every day confined to this same 2 by 1.5 metre space, my bed.
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Rachel Bunce reflects on her Hatching residency
After spending 10 days on a relaxed retreat-style Swedish residency, I almost had some ideas. I was given space to play with the tools that I normally use to earn money and create with others. It was brilliant, fun and terrifying (in equal measure) to have total creative freedom without a brief! Chatting with Janet and realising I wanted to take one of my almost-ideas further gave me the impetus to apply for a Nest Residency. I’m so glad I did, and not just for my creativity and idea-forming but for my sense of community, my physical and my mental health.
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Po-Shin Chao reflects on her Hatching Residency
As an artist, for my residency my project focussed heavily on exploring and experimenting with ways I could reflect and display my own identity and internal struggles through the world of fish and marine life. An aspect I wanted to include was my cultural heritage; with the use of fish surrounding Taiwan included in my artwork, art styles and choosing fish that symbolized particular meanings. Many of the fish I wanted to paint were heavily inspired by hierarchies and societal roles in everyday life. I worked primarily in paints and inks related to traditional artworks such as gouache and calligraphy ink and spent the full ten days at the nest, popping in and out over the course of two months.
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Craig Clarke reflects on his Hatching Residency
I had known about the Nest Residency for a while after attending creative co-working several times. It had been on my to-do list for a while however an email stating that they were about to close applications promoted me to stop procrastinating and finally sort out my application. A few weeks later I got the good news of being accepted and an exchange of messages found some suitable dates.
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Communities would be engaged and empowered and arts policies would be invigorated, says Janet Vaughan, co-artistic director of Coventry-based artists company Talking Birds, whose work focuses on the relationship between people and place.
Attempting to banish the consultation fatigue of four years’ involvement in the preparation for Coventry’s time as UK City of Culture in 2021, and desperate to understand what value ‘ordinary people’ placed on arts and culture, Talking Birds called a Citizens’ Assembly in the city on arts, culture and creativity.
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Guest post by Stella Backhouse, a writer based in Coventry. This post was originally published in issue #6 of Action Rayz zine, curated by Jazz Moreton & Alan Van Wijgerden. Details of Action Rayz’ regular film club screenings can be found here.
After the very public collapse of City of Culture Trust and the promised ‘legacy’ of Coventry’s year as UK City of Culture well and truly on the scrapheap, where does the city’s arts scene go from here?
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Kemi Awoyemi reflects on her Talking Birds Residency
I had just arrived in the country and was in search of a job. Back in Lagos, Nigeria, I promised myself that moving to the UK meant I would fully explore my art any possible way I could. In a bid to escape idleness and overthinking I felt the need to create, the only question was how? I had no resources or contacts, let alone a suitable space to create. Google comforted me by leading me to the Nest residency. I discovered Talking Birds at the best time; actively chasing healing, seeking an outlet to express my fears and concerns creatively and most importantly a safe space. I did my research on them, sent in my application and within a period of time I got selected to be a part of the Nest residency.
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Sam HH reflects on her Nest Residency
The Nest Residency gave me so much more than I had ever imagined it could. So this is not just about what I did but what I gained. Not just creatively but personally. I had never been given space like this before. It felt greedy. Privileged. It felt overwhelmingly scary. I felt guilt – taking up space when it could have been used for someone else. Especially as I felt like I was maybe tricky.
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Words from the Birds 