Lucy Grubb reflects on her recent Hatching Residency at The Nest.
The Moon is a Satellite,
and this city itself feels like my own private constellation.
Lucy Grubb reflects on her recent Hatching Residency at The Nest.
The Moon is a Satellite,
and this city itself feels like my own private constellation.
Adele Mary Reed reflects on her recent Hatching residency at The Nest.
There is nowhere like a nest to knuckle down and nourish yourself. Contained, safe, with wise guardians popping in and out. A trail of breadcrumbs lead me there, meandering path through years, motherhood, lockdowns, urban redevelopment, relationships, travel, wildflowers.
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Ayesha Jones reflects on her Hatching residency with Talking Birds
As a photographic artist and documentary photographer, I use photography to communicate and process thoughts and experiences. Having inattentive ADHD, I often float off into my own little world. But capturing images allows me to hit the pause button on life, letting me revisit moments and understand my thoughts, feelings and other people better. Photography also provides a voice when words often fall short. A flowery way of saying, I am a massive visual learner and communicator. When emotions run deep, photography becomes my lifeline for expression.
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Lily Smith reflects on her Hatching Residency at Talking Birds
Being provided with time, space, and money to do something you love has the ability to change your life. As a freelancer, finding even one of these can prove a mission, and we rarely get the freedom to indulge in our creation without a healthy balance between the three.
I have played guitar for 8 years, but I’ve never made a song. I began performing with different singers around Coventry, working on their songs, composing for talented artists, yet I struggled whenever I sat down with myself.
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Mandip Seehra reflects on his Talking Birds Nest Residency
When I heard that I was selected for a Nesting Residency by Talking Birds, it filled me with excitement and anticipation. The residency offer was given to me to help me focus and explore projects which I have been trying to find a route to creating. These projects are personal to me and are intertwined with each other.
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It takes courage to step up and organise something to make life in your neighbourhood or city better. Even when it’s part of your job it takes courage: What if no-one turns up? What if it rains? What if people don’t like what we’re doing? What if doing this makes us look stupid? What if we fail? These (and many other) questions plague us (and every artist) every time we/they do something. When you have raised funding to make your event happen, the pressure is even more intense – this is public money and there’s a big responsibility to make sure it is spent well.
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Jaz Morrison reflects on her Nest Residency in association with MAIA
I haven’t been on many residencies, so I wasn’t sure what to expect during my time at the Nest. I remember asking if Talking Birds had any expectations of me, despite reading that this was about using the time as I felt best. The commute was surprisingly long – around 90 minutes from door to door – but it allowed me time to read books I’d put off, and the walk from the station familiarised me with the city centre. I even ran into an old colleague in my final week.
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This spring Talking Birds has been working with colleagues at the University of Warwick on the ‘AI in the Street‘ project, which is researching communities’ perspectives on, and feelings about, the AI-enabling infrastructure that lines our streets. The project aims to add citizen-voices into discussions about future infrastructure installation and invisible data gathering projects, whilst questioning how open and responsible the current processes are. The project has collaborative teams working in London, Cambridge, Edinburgh and Coventry, with the site of the Coventry Observatory being the Holyhead Road – which marks the border between Lower Coundon and Spon End.
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Amy Kakoura reflects on her Talking Birds residency
Keep it to yourself, but there is something in Hotel 104. I don’t know how long it’s been following me.
I felt it moving around, the moment I asked to be here. It makes this dreadful, almost-sound, like a cough before it happens. I don’t look straight at it.
I keep my eyes forward these days.
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Izzy Hadlum reflects on her Nest residency
For my Artist Residency at the Nest I was interested in exploring Environmental Sound Art, responding to the urban environment surrounding The Nest itself, alongside Coventry Canal.
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As followers of this blog will know, the F13 network – a broad coalition of independent artists and arts organisations, freelance creative practitioners and other interested parties convened by Talking Birds – was commissioned (on the back of its ‘Creating the Conditions for Creation‘ draft action plan) to develop and produce an event (The Future Works) to bring the creative sector back together, to move forwards after the turbulence of the last few years. (This process has been pretty extensively blogged, so if you need a catch up, maybe best to start here.)
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A Cultural Strategy sounds boring. And sometimes it is boring. But a good Cultural Strategy can tell a compelling story of a place – of its values and ambitions. Of its hopes and dreams. Of its direction of travel.
Some people think that our city has stalled. But we don’t think that’s true – and so we’ve invited artists and decision-makers to gather and re-set: let’s collectively re-imagine our story and work out how we want to tell it.
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